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A few months ago I wrote a post about how I got into knitting hats using a circular loom that I purchased from Jo-Ann’s Fabrics & Crafts after I learned that my church has a yarn stash that has filled at least 10 bins. (Much of that yarn came from donations either from church members who moved out of the area or relatives of recently deceased church members who were trying to declutter their loved one’s home.) Here are a couple of adult-sized hats I finished after I wrote my previous post back in May using different yarn color combinations that I haven’t used before.
I also bought a smaller circular loom with the idea of making smaller-sized hats that would fit infants and very young children. I basically used the same yarn colored combinations as on the larger hats. I didn’t have a styrofoam head small enough to display those hats. (I only have that one styrofoam head and I use that to hold this one multicolored wig that I own when I’m not using it to model my adult hats for pictures.)
So I decided to use some of my dolls to display these hats while I shot these pictures. Yes, I know that these hats are too large and out of scale for these dolls. Keep in mind that I didn’t knit these hats for dolls. (Heck, I don’t even know if there’s even a market for doll-sized loom-knitted hats.) Taking these photos have given me the chance to take a look at these dolls again and enjoy them. I had been less and less enthusiastic about dolls, especially in the early days when my husband abruptly left home (with zero advanced warning) for a friend of ours with severe mental health issues. Yeah, I was depressed for a long time. Especially since he left three months after I underwent hip surgery. There were times when I lost enthusiasm for a lot of things. I’m still trying to get back into doing things that I used to love to do but it can be hard at times with all of these distractions stemming from tight finances and the currently ugly political situation going on just a few miles away from where I live (a.k.a. Washington, DC).
So, without further ado, here are my smaller knitted hats for infants and very young children.
Since I mentioned my husband running away from home back in 2011, I’d thought I’d begin with the doll that he essentially blamed in that letter he left behind for leaving home. (He said that this doll contributed to the clutter in our home. But then I had friends tell me that he was spotted in public with the other woman less than a week after he left me and he married her two months after our divorce was final.) It was an American Girl Julie Albright doll who is supposed to represent the 1970s that I purchased the day before my hip surgery. So here she is wearing a knitted loom hat.
The doll in the next photo is also a historical 1970s American Girl doll. Her name is Ivy Ling and she’s described in the books as being Julie’s best friend. This doll was retired a few years ago when American Girl decided to get rid of its Best Friends of Historical Dolls line.
Here’s the third and last American Girl doll in this group of doll models. Her name is Addy Walker, she represents the Civil War era, and she’s wearing a hat that matches her pretty blue dress.
Now it’s time to move on to other dolls. This one is My Friend Cayla, the 18-inch interactive doll that has been banned in Germany because the authorities were concerned that the doll would spy on children. Snopes.com has a fully detailed article about the controversies surrounding that doll that has arisen not only in Germany but in other countries as well. Here she is modeling a knitted hat.
The doll in the next photo is a vintage 1970s doll from the now-defunct Ideal Toy Company known as Beautiful Crissy, who is 18 inches tall. This doll’s hair can be grown from short hair to long hair and back to short hair. (You can see a demonstration of this feature in this vintage commercial.) I had that doll as a child then my parents gave it away when I grew older. But I never forgot Beautiful Crissy. I picked this doll up on eBay a few years ago. Here she is wearing a hat.
The doll in the next photo is smaller than the others. She is 15 inches tall, her name is Velvet, and she was another Ideal doll that was released as a cousin of Beautiful Crissy. Like her cousin, Velvet also has hair that can change from long to short then back to long. I found this doll at a doll show years ago that was on sale for a very cheap price because she was partially nude and had this funky white mold in her eyes. I once wrote his blog post detailing how I managed to get rid of the mold and restored this doll to her original condition. So, without further ado, here is Velvet wearing a hat.
Here is a doll I haven’t touched in a long time. Her name is Kianna and she came from Mattel’s short-lived Teen Trends doll line. She is 17 inches tall and she has internal elastic stringing that’s similar to an Asian ball-jointed doll. Here she is modeling a hat.
And last, but not least, here is Blythe, who is the smallest of the dolls featured in this post because she stands at around 11 inches tall. She’s the same height as a Barbie doll but, due to her large, out-of-scale head size, she can wear the same hat size as a lot of the larger dolls.
Finally, here’s one last shot of the entire gang modeling those knitted loom hats.
I knitted the hats throughout the spring and summer. I did some knitting in the fall until I took part in Inktober and I found that it took up a lot of time that I could’ve spent knitting more hats. When the month ended and the annual church auction was happening soon, I spent some crunch time finishing the one last hat that was still on the circular loom before I got diverted by Inktober.
The hats were put on sale along with other wearable knitted items that were made by other church members at the church’s annual auction a few weeks ago. Last Saturday I received a phone call from a member of my church’s handcraft circle informing me that a member of our church had decided to buy the entire inventory of hats and mittens. He then donated that inventory back to the handcraft circle with the instructions that they are to be donated to local homeless shelters and other nonprofit groups that help the poor and needy this time of the year. My knitted loom hats were among the inventory that was purchased. I am very grateful to that church member for his generosity. 🙂
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The Day Before the Greenbelt Labor Day Festival
Greenbelt Labor Day Festival (Day 1)
Greenbelt Labor Day Festival (Day 2)
What a difference a day makes! Like I wrote in my last entry, I briefly attended the second day of the festival due in large part to the rain. The third day of the festival was different. It was sunny outside, the temperature reached into the low 70’s, and the humidity was low as well. It was the perfect outdoor weather for the festival!
When I arrived at the festival I saw that the STEM center Makerspace 125 had created a small miniature golf course consisting of handmade decorations that were miniature replicas of various Greenbelt landmarks and the local wildlife.
This mini golf course was especially a big hit with the kids.
Even though the third day fell on a Sunday, I blew off church that morning because I wanted to make sure that I would arrive at the Greenbelt Museum on time for another event I wanted to take part in. This year the Greenbelt Museum was the site for the Retro Town Fair, which was the first time I participated in it since 2014.
I submitted two hand-knitted clothes for dolls. One was the funky “fur” coat for 1/6 dolls, which I had my Blythe doll model mainly because she was the one doll I had who looked best wearing it. The other was the Alice’s Tea Party knitted dress for 18-inch dolls. I had my Addy Walker doll model it because she looked like those African American church ladies I frequently see in my area on Sundays walking in public all dressed up in their finest dresses and hats (or a hair accessory).
Basically I had to submit my entries between 11 a.m.-2 p.m. then wait until between 2-4 p.m. before I can see the entire Retro Town Fair. So I submitted my entries then walked back to the main part of the Labor Day Festival where I hung around for a bit while I ordered a giant crab pretzel for lunch from one of the food booths. After lunch I walked back to the Greenbelt Museum while I took these pictures.
I came upon my dolls and I found that I won two white 3rd place ribbons. I was pretty happy with that award even though the organizers had them laying down the entire time. (I guess it was probably easier to display them that way without worrying about them falling down.)
The festival area was full of people once again since Tropical Storm Harvey went away. Here are some pictures I took.
The bingo tables were reopened as well with people eagerly playing bingo.
There was this very long line at the ice cream stand.
There were a couple of pint-sized Stormtroopers from Star Wars.
That day was also the first day of the Craft Fair, where the vendors were blessed with ideal weather for selling their handcrafted wares.
What was really wild is that I got lucky when I met a prominent person whom I’ve seen on TV a few times (back in the days when I still had cable television). The former head of the NAACP, Ben Jealous, is running for Maryland governor in next year’s mid-term elections and he was at the festival talking to the people and asking them for their opinions. Here are a couple of pictures I took of him.
If he gets elected next year, I’ll definitely have these photos to show people while telling them “I met Governor Jealous when I was at the Greenbelt Labor Day Festival back in 2017.” (LOL!)
Makerspace 125 had a busy day. Not only were the volunteers there running the miniature golf course but they were also putting the final finishing touches on their parade float for the next day. When I was there, they were making giant LEGO blocks.
I even went to the Greenbelt Theater, which was running classic cartoons (Superman, Betty Boop, Popeye, and various Looney Tunes shorts) for free on the big screen.
I walked back to the Greenbelt Museum where I picked up my dolls and my award ribbons then I headed back home feeling exhausted yet happy at all the good things I experienced that day.
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Greenbelt Labor Day Parade
Greenbelt Labor Day Festival (Day 4)
Like I wrote earlier, I’m participating in two separate events at this weekend’s Greenbelt Labor Day Festival in Greenbelt, Maryland starting this afternoon at 1 p.m. (when the Art Show formally opens to the public for the first time). I took advantage of the four-artpiece limit by displaying a combination of old and new art, starting with my acrylic painting, Desire.
Desire
Acrylic on canvas
9 inches x 12 inches
23 cm x 30 cm
Desire is the oldest of my paintings in this show. It was the one that I originally painted while I was recuperating from my hip replacement back in late 2008 based on my photograph of my in-laws’ dog, Jay-Jay, while he was begging for a snack that I was eating at the time (during one of my many visits to their home in Phoenix that I made with my then-husband before our marriage broke up). I originally displayed this painting at Artomatic in 2009 then I gave it to my husband’s mother and step-father as a Christmas present later that year. (We gave it to them during a visit over the Thanksgiving holiday weekend.) My mother-in-law passed away in 2010—just four months after we gave them that painting. When my husband’s step-father decided to move to a smaller apartment in a retirement community during the summer of 2011, he had to drastically downsize his possessions so he gave the painting back to us. When my husband left me in late 2011, that painting was among the many things he had left behind with me. I’ve displayed Desire at a few local shows in the years since (the most recent was the one in Baltimore last summer) but this will be the first time this painting will be displayed at the Greenbelt Labor Day Festival. You can read more about the making of this painting in a blog post I wrote back in 2011.
The second artwork is a piece I did for a contest last year where we had to create our art using a tiny canvas. I decided to submit that to the Art Show as well. Here is my piece titled Carousel Horses at Night.
Carousel Horses at Night
Acrylic on canvas
3 inches x 3 inches
8 cm x 8 cm
You can read more about how I made this tiny painting in a blog post that I wrote last year.
In addition I created two new pieces. So far I’ve uploaded pictures of them on my various social media accounts. Here are a couple of Twitter tweets I made very shortly before the final submission deadline yesterday.
I really didn’t have much time to write anything in detail about these pieces. I’ll write more about these two pieces in a proper blog post at a later date.
In addition to the Art Show, I also intend to submit a couple of items I knitted to the Retro Town Fair, which will only be opened to the general public tomorrow from 2-4 p.m. Both are doll outfits that I managed to finish knitting last year and I made an unsuccessful attempt to sell them on eBay during the winter holiday season. The first one is a fur coat that I knitted using funky novelty yarn. This one is supposed to fit Barbie and other 1/6 scale dolls. This coat can also fit 1/6 scale dolls with large heads, such as this Blythe doll who’s modeling this coat in the photo below.
You can read more about how I made this coat while viewing photos of other dolls wearing it in a blog post I wrote last December.
Last, but not least, is this outfit I knitted for 18-inch dolls (such as American Girl). Here’s a photo of Addy Walker modeling this outfit.
You can read more about how I made this outfit while viewing photos of other dolls wearing it in a blog post I also wrote last December.
For information and directions to the festival, visit the festival’s official site.
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Last week I mentioned that I’ve been going through some old files on my computer hard drive and I found the original rough drafts of my old Artomatic blog posts from previous years. (There was a time when Artomatic gave everyone who participated their own blogging account. For Artomatic this year, I had to step up and volunteer to be a blogger before I received my own blogging account.) It’s pretty appropriate to share some of these posts here since Artomatic is going on until next month.
While I visited a few previous Artomatics, the first time I actually participated was in 2007. I enjoyed that experience so much that when Artomatic was announced again in 2008, I jumped at the chance to participate in it again.
2008 was a momentous year for me for reasons other than Artomatic. I was born with a dislocated left hip and, as some old baby photos have documented, I was placed in a body cast for several months. My left hip joints snapped into place, the cast was removed, and I learned how to walk like an average child soon afterwards. I sprained the same left hip in a roller skating accident when I was 12 but I managed to recuperate and I walked like a regular person again. All that changed by late 2007 when I began to walk with a limp. As time went on, I had a harder time walking and by the time of Artomatic 2008, I had to use a cane to get around.
Despite my hip problems, I wanted to participate in Artomatic and I did so. That year I decided to focus mostly on photography, with the exception of this Peep Floyd diorama that I originally did for The Washington Post‘s annual Peeps diorama contest but it failed to make even Honorable Mention. Here is the original online catalogue that I put up to promote my exhibition space.
Here are just a few selected posts I made in my Artomatic account’s blog that year as archived on my hard drive. (That blog has long since been deleted since Artomatic tends to totally revamp its website whenever a new Artomatic event is announced.)
I’m Participating in Artomatic 2008, March 27, 2008
I’ve finally finished with registration. This year I’m going to emphasize my photography more mainly because I’ve been more successful at that than doing strictly drawing and painting.
Now my next task is to sift through my vast trove of digital photos to pick out the right ones to display. I am quite a shutterbug. I’m glad for the invention of digital cameras because I still remember the pain of running out of film and I had to choose between shelling out more money for film (then have to shell out more money to get them processed) or quit my picture taking for the day. I have a monumental task ahead of me so I’m going to sign off now.
Latest Stuff About Me, April 18, 2008
Last Saturday I went to the Artomatic orientation where I picked out my site. I’ll be located on the 7th floor, NE Quadrant, Area C4. I know it sounds like gobbledygook now but I’m sure it’ll become more apparent once the show opens and the maps/brochures are printed. For the time being, I’ll just say that my wall space is located right next to the men’s restroom on the 7th floor.
My Exhibit for This Year, May 8, 2008
I know that some of you who are familiar with my exhibit at last year’s Artomatic will be wondering if I’m doing anything different. Well, the answer is yes. I’m going to describe the difference between this year’s exhibit and last year’s.
Last year I had a variety of different media ranging from digital photographs to drawings to paintings. I even had a couple of dolls I customized myself that were on display in small glass cases that were mounted on the wall.
This year I’m focusing exclusively on digital photographs. That’s mainly because I wanted artwork that was more transportable than my larger art pieces. All of my photographs are either 8″ x 10″ or 5″ x 7″. Keeping the photos at those two sizes made frame shopping really easy for me since those two are standard sizes. On top of that, I’ve had people tell me that my biggest strength is in photography so I decided to highlight that some more.
The biggest challenge I had was whittling down the hundreds of digital photographs that I have on my hard disk to just 32 photos. (Sixteen of them are 8″ x 10″ while the rest are 5″ x 7″.) Then I had the additional challenge of printing since, as experienced digital photographers and computer graphics artists know, what is seen on the computer screen doesn’t mean that the print version will turn out the same. But I managed to get everything done in time for the opening tomorrow night.
I’m also pricing my photos at $10 for the 8″ x 10″ and $6 for the 5″ x 7″. I know my pricing methods may become controversial but there’s a method to my madness. If you’ve been reading a newspaper or watching any of the cable news channel, you’ll know that this country is in an economic crisis due to rising gas costs, higher food prices, and the subprime mortgage crisis. I really don’t think that people are in the mood to shell out $100 or higher for a piece of art no matter how much they love it because of the economy.
I also had an epiphany around the end of last year’s Artomatic. I got someone who wanted to buy one of my drawings but she wanted to know how much it would cost if I would remove it from the frame. Since I didn’t have any other serious buyers of my artwork last year, I told her that I would take $25 off my drawing. So I sold it to her and took home an empty frame.
This year I scoured the local big box retailers looking for the lowest frame prices. A.C. Moore had the best prices with many frames being sold for $3 and $4 and with some going for as low as $2. What’s more, the frames still looked pretty decent despite the low prices. Then I went to Staples where I bought a pack of satin-finish photographic paper for $35. I calculated each sheet as costing around sixty cents per sheet, which isn’t bad.
I even have a catchy ad phrase that I put on a sign in my area: “Affordable Artwork for Uncertain Economic Times”.
What’s more, since I have my photos on a hard drive, I can easily print multiple copies so if one person buys one of my photos and someone else wants that same photo, I can print and frame another copy and sell it to that other person.
I will have a small table next to my photos where I will have a guestbook for you to sign and a digital frame that will rotate digital photos of some of my other works of art like my drawings, paintings, sculptures, and crafts. I purchased this digital frame at Target and I love it because I can display more of my art than the space that’s alloted to me.
I will also have a diorama displayed on that table called Peep Floyd. I originally created this diorama for The Washington Post’s second annual Peeps contest but it didn’t make the final cut among the judges. I was disappointed but my husband was even more heartbroken than I was. (He felt that I was robbed.) So I decided to give my little diorama a second chance by displaying it with my artwork. I’m even putting it up for sale for only $5 (which is about how much money I spent making it in the first place). What’s even amusing is that there will be a display of the winning Peeps dioramas on the 10th floor while my display will be on the 7th floor. So if people decided to start on the first floor and work their way up, chances are that they will see my own diorama first before they see the winners on the 10th floor. Ha! Ha! Ha!
Last year I printed three photo zines that I sold on the honor system where people can put money in a box if they wanted one or more of my zines. I did it mainly as a promotional item, even if it was a pain to print multiple copies for the duration of Artomatic. (The fact that I was using a 10-year-old Epson color printer didn’t help matters much.) I thought that I would get some sort of opportunities from the zines after Artomatic in the long run so I toughed out the time spent printing, collating, and stapling the zines. I also gritted my teeth as I spent lots of money on printer ink since those zines did use up tons of ink. Even though the zines sold pretty well (some people did leave money in the box), nothing ever came of those zines after Artomatic ended. No one contacted me saying, “Hey I liked your zines and photos and I want to do some work with you.”
Basically it really wasn’t worth the time or money spent making and distributing the zines so I’m not going to do any more this year. I know that some of you will be disappointed but that’s the way things go.
The biggest change from last year to this year is myself. Yes, I am a year older but my health has gone down a bit. I have an old injury in my left hip that was repaired a long time ago but I’ve now developed osteoarthritis in it. Last year I was able to walk normally most of the time (although I did limp if I overextended myself by doing too much walking or other physical work). This year I’m walking with a limp and I use a walking stick whenever I have to walk around outside for any great distances. I’ve consulted an orthopedic specialist and he’s recommending that I undergo a hip replacement, especially since my left leg is now a little bit shorter than my right leg, thanks to the osteoarthritis.
But, before I undergo the surgery, I have to lose weight and do exercises to strengthen my hip. As a result, I’m still able to participate in Artomatic since I won’t be able to undergo the surgery until July at the earliest.
Having osteoarthritis is a bit of a bummer. I get more physically tired than before, partially because of having to take prescription version of ibuprofen (which has drowsiness as a side effect) and partially because it’s just more physically taxing to limp around. My current condition was a major factor in my decision to focus on smaller photographs than my larger canvases since the photos are easier to cart around than a big canvas. Since I decided to eliminate the zines, I will find Artomatic less taxing than last year.
I will be at the opening tomorrow night with my husband. This weekend I will be working as a vendor at the Greenbelt Green Man Festival in Greenbelt, Maryland. I will have a packed schedule.
I’m Doing Pretty Well at Artomatic This Year, May 26, 2008
So far I had someone who wanted six copies of my “Shalom Y’all” photo because she wanted to give them away to her Jewish friends. I also have one other person who may be potentially interested in purchasing something from me but I haven’t heard back from him.
So far I took part in a drawing workshop on Opening Night and I’ve also worked one shift so far. (It happened to be on the same night as the “Meet the Artists Night” so I couldn’t be at my area, with the exception of a brief break that I took around 8 p.m.) Right now I’m typing this entry from a hotel room in Charleston, South Carolina but I intend to participate in more Artomatic events once I return.
I happened to be in Charleston at the same time as their annual Piccolo Spoleto Festival—an art-filled festival that includes special exhibitions at area art galleries, special theatre shows, special musical concerts, and a crafts fair. I intend to check out the crafts fair at least. I also intend to visit the City Market, which is filled with stalls of people hawking food items and various types of crafts. It’s also where a local African-American group of people known as the Gullahs sell their speciality craft–making baskets, vases, flowers, and other items out of sweetgrass.
Well, anyway, see ya later!
My Artomatic Videos, June 2, 2008
This year I’ve been doing more at Artomatic than just showing my artwork and attending a few events. I’ve also been taking photographs and shooting video. I haven’t decided what I’ll do with the photos yet but I’ve already edited and uploaded three short video clips on my YouTube account.
All three videos are of the firedancing troupe known as Flights of Fire. I shot this during the second hour of their show on May 16. (I missed the first hour because I was finishing up the last hour of my own volunteer shift during that time.) I was pretty exhausted after working my five-hour volunteer shift so I basically went outside, sat down, and unwind a bit by watching the group perform the rest of their show. I happened to have my videocamera with me so I filmed them as they did their various fire tricks to some lively dance music.
This first clip is a general highlights reel as I focused on the troupe’s most spectacular firedancing tricks:
The second clip is a very sexy and erotic routine that is performed in its entirety:
The third clip is the grand finale that is also performed in its entirety. Imagine a bunch of people dancing and swinging flaming torches at the same time and you’ll get something like this:
Two More Artomatic Videos For You to View, June 5, 2008
I shot two more videos at Artomatic that I’ve uploaded to my YouTube account. The first one is the Peeps artist reception that was held on May 31, 2008.
The second one is the first-ever Artomatic 500 cardboard car race, which is just as hilarious as it sounds.
Enjoy!
A Posting From Artomatic, June 13, 2008
I’ve just finished the third required volunteer shift over an hour ago and I’m waiting for this workshop on “Urban R & D: Developing a Community Research and Design Lab” to begin in a few minutes. Actually volunteering wasn’t too bad despite my totally arthritic hip (which has given me a bad limp in recent months and has definitely put a crimp on my mobility) because I was given desk jobs. (I worked the front desk on the first floor the first two times and I worked the fourth floor this final time today.)
Last night I attended the Artists’ Social. I met someone whom I had volunteered with on a previous shift and I also met up with other people whom I had met at other Artomatic events. What was cool was that I sold two of my photographs to someone who loved by two robot photos (one of the Toyota Partner Robot and the other of the Honda Asimo—both taken at a Japanese cultural festival at the Kennedy Center a few months ago).
I’m looking forward to attending Artomatic tomorrow night–they are having the first-ever Art in Fashion show, which is supposed to have fire as the theme. From the way this event is being hyped, it sounds like Project Runway on steroids.
Well, anyway, I gotta wrap this entry up and head off to tonight’s workshop.
More Artomatic Videos, June 21, 2008
I shot and posted a few more videos at Artomatic before it ended last Sunday but I’ve only gotten around to blogging about it now.
First is a video of my own exhibit, which was displayed on the 7th floor next to the men’s bathroom.
Next is a video of a couple of interactive exhibits that were done by other artists.
I previously videotaped the Peeps artist reception where I spoke with prolific Peeps diorama artist Carl Cordell. At the time he was working on a fourth diorama, “The Day The Earth Stood Peeped”, that wasn’t ready in time for the reception. I kept on going to the Peeps area for the next few weeks but the diorama didn’t make its appearance until last Saturday, the day before the last day of Artomatic. I made a short video highlighting that diorama.
I did a three-part video about the Art in Fashion show, which was the closing event of Artomatic. (It was held the night before Artomatic’s final day.) It highlighted fashions created by fashion designers in the Baltimore-Washington, DC area. I had fun attending this because I’m such a fan of Project Runway and I had never seen a fashion show in person before.
After the fashion show ended, there was a big party that included all kinds of activities. I videotaped some of it but I was running out of battery power by that point so I didn’t film as much as I wanted to. But it should give you an idea of what it was like. (Some parts of this video are definitely NSFW because it includes scenes of body painting on partially or fully nude bodies.)
Well, anyway, that’s it for the Artomatic videos.
Visiting the Artomatic Site for the Last Time, June 21, 2008
I had successfully sold yet another photo to someone and he and I agreed to meet at the Artomatic site today. After the transaction was made and he took his newly-purchased photo with him, I took down my exhibit. I felt wistful as I did it but, as the old saying goes, all good things must come to an end.
Goodbye For Now, June 23, 2008
Now that Artomatic is over and I’ve picked up my artwork from the site, it’s time for me to say goodbye to this blog until the next time I decide to participate in an Artomatic.
Three months after I wrote that last farewell Artomatic post, I underwent a hip replacement followed by physical therapy that lasted until well into 2009. In early 2011 I suffered two falls within a week that knocked my hip replacement out of alignment so I had to undergo hip revision surgery followed by more physical therapy. Right now my hip is doing fine. <knock wood!>
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I know this is the third day in a row that I’m writing about this little summer project that I’ve embarked on. It’s just that I’ve been working on it for a while and I haven’t gotten around to sharing it until now. I also didn’t know how I would’ve reacted to working on this project so I decided to hold off on blogging about it in case it turned out that I didn’t like working on it. It turned out that I’m basically enjoying myself as I’m working on it so I’m blogging about it now.
Last week I struggled a little bit because I had never used colored pencil on acrylic paint before but I eventually found a solution. This week it was much better because I learned from my past mistakes and this week the online class dealt with using water-resistant markers.
I still had to deal with the fact that I’m using a board book that has more pages than what the artist in the online videos used. So this week I decided to continue spreading the art over two pages and create a full two-page layout effect.
So here is the original tutorial, led by Ady Almanza.
Like I wrote earlier, I had a book that was several pages longer than what was used in the tutorial. I decided once again to do a two-page spread. For this project, I decided to switch from using my Volks Dollfie Dream as a model to using two Blythe dolls that I own. (In fact, they are the only Blythe dolls that I own.) Here is a photo of the two of them that I used as part of an earlier art project. (WARNING!: Link is NSFW.)
I decided to draw the two Blythe dolls on opposite pages while giving each other the side-eye. (For those of you who aren’t familiar with these dolls, each Blythe has a string that you pull. Every time you pull the string, the doll’s eyes closes. When you let go of the string, they open again with the pupils in both a different color and a different position. You can see this in action in this vintage early 1970’s ad for the doll.)
So I made a pencil drawing over the gesso (which I covered the pages with before I began). Then I covered the lines with waterproof ink. After that I painted the background in one color with acrylic paint. Then I took white acrylic paint and I mixed it with matte medium in order to simulate the matte paint that the tutorial required and I have a hard time finding on the store shelves. I used that mixture in order to under-paint the areas where the faces would go in the scene. Then I sprayed workable fixative on top in order to give the surface enough “teeth” to hold the ink that I would draw on the top layer.
That did the trick because I used the ink with no problems. In real life my purple-haired Blythe doll is much paler in skin tone than the blonde doll (which you can see in the above photograph) so I decided to try using different colored inks to simulate flesh tones. I initially rendered the blonde Blythe’s skin in a darker skin tone by accident (I misjudged the shade of the ink and I didn’t even test it out on scratch paper before I used it). I overlaid some lighter colored markers on top and it made the doll on the left side look like she had gotten a major suntan by spending some time in one of those tanning booths. Even though the dolls don’t have any eyebrows in real life, I decided to add some in the drawing because I thought that people would find the lack of eyebrows off-putting (especially those who are unfamiliar with Blythe dolls).
I also inked over the clothes then I added a layer of glitter glue. By the time everything dried, the only area that needed filling in was the hair, which was still blank. Following the video instructions, I put a layer of tracing paper over the art and drew the outline of the hair. The original video called for using special thin fabric that’s apparently used in scrapbooking projects. I know that Ady Almanza is based in Germany so I guess it’s a German thing because I had never heard of such fabric here in the U.S. and I looked in the local big box retailers (Michaels, A.C. Moore’s, and Jo-Ann’s) only to turn up empty.
Instead I got out a few books that are filled with just 5″ x 7″ scrapbooking paper (that I purchased on sale at steep discount prices a few years ago) and cut out some hair using what I had traced on tracing paper as a template. Then, using Modge Podge, I glued the hair on the heads. I discovered that I made a mistake on one of the heads during the cutting process that would’ve exposed a white bald area close to the border of the face. I happened to find 5″ x 7″ paper with a daisy design on it so I cut out one of the daisies and stuck it over the white bald area so it looks like that female has a flower in her hair. Then, in the interests of symmetry, I decided to cut out a second daisy and glued that in the other female’s hair using Modge Podge as well. Then I decoupaged the whole thing by smearing a thin layer of Modge Podge over both pages.
Here is what the pages looked like before I worked on them.
And here is what they look like now.
That’s it for the backlog of doll pages. I’m going to look at the latest lesson video before I start my next page(s). I’ll keep you abreast at the progress I’m making in this book.
Subsequent Entries in This Series
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12
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